A godly medytacyon of the christen sowle, concerninge a loue towardes God and hys Christe — Reading Companion

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Marguerite, Queen, consort of Henry II, King of Navarre, 1492-1549, Bale, John, 1495-1563 [Editor], Elizabeth I, Queen of England, 1533-1603 [Translator] Project Gutenberg 2023 Not confirmed
Devotional literature; Meditations -- Early works to 1800 Readers of public-domain and historical texts
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Edition facts

Words 22,045
Reading time 96 min
Text sections 10

The catalog record for A godly medytacyon of the christen sowle, concerninge a loue towardes God and hys Christe — Reading Companion provides practical reading context through 22,045 words, 1 hr 36 min estimated reading time, and 10 detected text sections.

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This editorial note examines the authorial choices in diction, dialogue, and description within a 1548 English translation of Marguerite de Navarre's meditation, translated by the young Elizabeth Tudor and edited by John Bale. It highlights the work's intimate address to God, paradoxical language, and layered familial metaphors.
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Editorial Edition Score 4.7/5

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Transcriber’s Note: Biblical references in the sidenotes are not always possible to make out, due to the quality of the print. Where this is the case it has been noted with [unclear] or [unreadable], as appropriate.

A Godly Medytacyon of the christen sowle, concerninge a loue towardes God and hys Christe, compyled in frenche by lady Margarete quene of Nauerre, and aptely translated into Englysh by the ryght vertuouse lady Elyzabeth doughter to our late souerayne Kynge Henri the .viij.

Inclita filia, serenissimi olim Anglorum Regis Henrici octaui Elizabeta, tam Græcæ quam latine fœliciter in Christo erudita.

To the ryght vertuouse and christenly lerned yonge lady Elizabeth, the noble doughter of our late souerayne Kynge Henry the .viij. Iohan Bale wysheth helth with dayly increace of Godly knowledge.

[Sidenote: Nobylyse.]

Diuerse and many (most gracyouse lady) haue the opynyons bene amonge the prophane philosophers and christen dyuynes, concernynge ryght Nobylyte, and no fewar stryues and contencyons for the same. Some autours haue vaynely boasted it to take orygynall of the olde Goddes of the Gentyles, as euery lāde hath had hys peculyar Saturne, Iupiter, & Hercules, yea our Englāde here and all. Some hath fatt it from the foure generall monarchyes of the Assyrianes, Perseanes, Grekes, and Romanes. Some haue attrybuted it, to the bolde battayles and bloudshedynges, in Ninus of Babylon the first inuētour of polycyes in warre, in our great Albion the Chamesene, whych first in thys regyon suppressed the posterite of Iaphet, vsurpynge therin the first monarchy, in Brute that more than six hondred yeares after defaced of hym the tyrannouse yssue, in Ebrāck and Dunwallo, in Brenne and Belyne, in great Constantyne, Artoure, Cadwalader, Engist, Egbert, Alphrede wyllyam cōquerour & soch other, for lyke cōquestes of the Romanes, Grekes, Galles, pyctes, Brytaynes, Saxons, Danes, Iryshens and Englyshens.

[Sidenote: Kyndes of Nobylyte.]

The hawty Romanes set not yet a lyttle by themselues, that they haue rysē of Aeneas & Romulus, of whom the one most shamefully betrayed hys owne natyue kyndred and contraye, and the other most vnnaturally slewe hys owne brother for worldly domynyō. Lyke as our walshemen here in Englande, aduaūcynge their successyon or progeny aboue the Englysh wyll nedes come of Sardanus & Bute, a foūdacyō not all vnlyke to the other. These gloryouse champyons for thys farre fatched groūde of their Nobylyte, accoūte all other nacyons and peoples, ignoble, profane, and barbarouse, as is to be seane in the monumētes of their writers. But in the meaneseason, they are not aware that they wndyscretely prefarre cursed Cham to blessed Iaphet, by whose posteryte the Iles of the Gentyles were first sorted out in to speches, kyndredes, and nacyons, Gene. 10. and not by Chams ofsprynge, of whome the Troianes and Romanes had their noble begynnynge. That the Chamesenes had in those Iles, was by cruell vsurpacyon & tyrāny, as testyfyeth Berosus the Caldeane and therfor that groūde of Nobylyte is not all the best. Ouer and besydes all thys, some haue applyed it to renomed byrth or successyon of bloude, some to the habūdaūce of pleasures worldly some to the mayntenaūce of great famylyes, some to the sūptuousnesse of notable buyldynges, some to the hygh stomake & stature of persone, some to valeaūtnesse in marcyall feates, some to semely maners of courtesye, some to lyberalyte of rewardes and gyftes, some to the auncyentnesse of longe coūtynuaunce, some to wysdome lernynge & stody for a cōmēwelth with soch lyke. And these are not all to be dysalowed, for we fynde them in Abraham, & Dauid with other iust fathers.

This meditation, translated by the future Queen Elizabeth I when she was a young woman, presents a striking example of early Protestant devotional prose. The text is marked by a direct, intimate address to God, employing a series of paradoxes—such as calling death "swete" and "plesaunt sorowe"—that invert conventional earthly valuations. The translator's choices in diction create a voice that is at once fervent and learned, blending theological precision with emotional intensity.

Paradoxical Language and the Inversion of Death

The meditation repeatedly reframes death as a positive, even desirable state. The speaker declares, "I shulde call the deathe lyfe, and thys lyfe deathe," a reversal that permeates the work. Death is personified as a "myghty keye delyuerynge from all wyckednesse" and addressed as "O swete deathe, plesaunt sorowe." This language draws on Pauline theology (Romans 7, 2 Corinthians 3) but is rendered in a vernacular that makes the paradox visceral. The translator does not soften the tension; instead, she amplifies it through exclamatory rhetoric and rhythmic repetition, as in "O deathe, come, and breake the same obstacle of lyfe."

Familial Metaphors and Intimate Address

A distinctive feature of the text is its use of multiple familial roles for God: father, brother, son, and spouse. The speaker marvels, "O what vnyon is thys, syth that through faythe I am sure of the. And I maye call the, father, brother, sonne, and husbande." Each role is elaborated with a specific attribute: "Father full of humylyte, Brother hauynge our symylytude, Sone engendered through faythe, & loue, Husbande louynge, and releuynge in all extremyte." This layered address creates a dynamic relationship between the soul and the divine, shifting between hierarchy and intimacy. The translator's choice to retain the feminine pronoun for the soul ("she") reinforces the nuptial imagery.

Diction of Longing and Union

The vocabulary of desire permeates the meditation. The soul "consumes and burnes for loue," and the speaker implores, "Lete me dye that I maye lyue with hym." The word "swetnesse" recurs, describing both the experience of hearing God's word and the union with the divine. The translator uses concrete, sensory terms—"sauoure of swetnesse," "myghty keye," "obstacle of lyfe"—to make abstract theology tangible. The repeated exclamation "O" marks moments of heightened emotion, creating a rhythm that mimics breathless longing. This diction aligns with the work's genre as a meditation, intended to move the reader affectively as well as intellectually.

Editorial Framing and the Construction of Nobility

John Bale's dedicatory epistle to Elizabeth frames the translation within a discourse on true nobility. He contrasts worldly claims to noble lineage—citing figures like Brute, Arthur, and William the Conqueror—with a Christian nobility based on virtue and learning. Bale's prose is dense with historical references, but his argument is clear: Elizabeth's nobility is demonstrated by her "Godly knowledge" and her labor in translating this work. This editorial choice positions the meditation as both a devotional exercise and a political statement, linking Elizabeth's piety to her royal identity. The epistle thus provides a context for the translator's voice, emphasizing that her youth and gender do not diminish her authority.

Readers approaching this text should attend to the interplay between the translator's youthful fervor and the editor's learned framing. The meditation rewards close reading of its paradoxical language and familial metaphors, which together create a distinctive devotional voice. The work stands as an example of how early English Protestantism adapted continental sources, and how a future monarch shaped her spiritual identity through translation.

That little 1548 meditation stayed with me—how Elizabeth’s translation turns intimate address into something almost breathless, like prayer folded into family talk. It reminded me of The Basis of Early Christian Theism — Reading Notes, which lingers on that same raw longing for God as nearness, not argument. Quiet book. I keep turning it over.

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