Death and resurrection from the point of view of the cell-theory — Story, Setting & Ideas
Edition facts
For Death and resurrection from the point of view of the cell-theory — Story, Setting & Ideas, the stored edition analysis reports 36,313 words, 2 hr 38 min estimated reading time, and 5 detected text sections.
The text analysis averages about 21.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Biology,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
vid and clear, seems to be characteristic of the human race. However low man may stand he cannot consider death to be the end of his existence. The conviction that he is immortal is innate to him. Annihilation is contrary to the nature and demands of his spirit. It is true that uncertainty and doubt might arise, but man will never be able wholly to uproot either hope or fear as to the possibility of a future life.
Experiencing such feelings and presentiments, man finds himself amidst a world where death and dissolution everywhere surround him. He sees the objects of his love or fear pass away, and he knows that sooner or later the same fate will befall himself. When he beholds the lifeless body of some near relative, his presentiment of immortality tells him that the selfsame soul that once animated that body is still alive. In such moments even the man of low cultivation is forced into more or less profound contemplation. The following reflection impresses itself with might and wonder upon him: “I feel convinced that the dead is living, but how can he live without his body and what form does his new life take?”
In all ages and stages, men have asked the same or similar questions, and they will go on asking them as long as belief in a future life obtains.
But man does not confine himself to questioning, he wants answers, and especially must this be true where the reply is so intimately connected with himself. And these answers have not been lacking; we find them formulated in those opinions and theories respecting a future life which throughout the ages have gradually appeared and prevailed.
The critically thinking public of the present day takes a decidedly skeptical attitude toward all these theories. They assert, and not without strong arguments, that it is impossible to know anything. But, however convinced the public may be of the fruitlessness of discussing the topic, no one will succeed in pushing it entirely aside. Time and again the same questions reappear as dark and threatening clouds on the horizon of our consciousness; they occupy our thoughts, take hold upon our feelings and color our sentiments. It would undoubtedly be sufficient at such moments to have, were it only one fixed point to stand upon; one established fact to start from and which we could trust would lead our thoughts in the right direction. But such a basis to set out from we have not hitherto been able to find. Will this remain the case forever? Will science concerning a future life always fail to attain aught but negative results? Let us say at once that humanity will probably be able to ascertain as much as it may be necessary or useful for us to know in this world. This hope is founded on our firm belief that at this time a basis such as that above mentioned really exists. Natural science has furnished this basis, though nobody as yet has happened to reflect that the facts upon which this basis rests may have any bearing upon our attitude toward a future life, much less give answer to questions such as the following: How, and in what way, is man to pass from this life into another?
It will be the object of the following pages, then, to develop further the view just intimated.
In prehistoric times men believed in a close relationship between the soul of the deceased and his body in the grave, and this purely instinctive faith is the more remarkable, as it prevailed during stages of civilization when differentiation between spiritual qualities and physical matter was almost unknown.
The contradistinction between soul and body is certainly a fact, a general experience. But neither the individual nor the race realizes this fact suddenly or all at once. The knowledge of the distinction between the physical and the spiritual sphere, with their different characteristics and qualities, proceeds step by step, being the result of slowly advancing evolution.
The child and the savage remain unconscious of any discrimination between soul and body, and even for the more cultivated man, the border between the two is vague and undetermined. According to the psychologic order of man’s evolution we might therefore expect that the problem as to this relationship would appear at a comparatively late date, and even then be of importance only to a reduced number of more cultivated individuals. But, on the contrary, experience shows that this question occupies the thoughts of men in very low stages of civilization, and, in fact, that it is of the most general interest.
Gustaf Björklund’s Death and Resurrection from the Point of View of the Cell-Theory (1910, translated by J. E. Fries) opens with a striking claim: all organic matter is a product of art, not of nature’s spontaneous forces. The argument proceeds by analogy, comparing organisms to steam engines—machines that nature never builds on its own. Björklund’s prose moves between geological decay, chemical combustion, and the impossibility of spontaneous generation, building a case that life requires an external, purposeful cause. The book’s structure is cumulative: each chapter lays a foundation for the next, from the thermodynamics of decay to the necessity of a designer, culminating in a reinterpretation of resurrection through cell theory.
The Argument from Combustion and Decay
Björklund devotes considerable space to the processes of decay and combustion, which he describes as a universal tendency toward lower energy states. He writes that the sun drives “disintegration and decay,” leaving geological sediments that record no spontaneous buildup of organic substances. The language is vivid: products of combustion are “fallen weights, slack bow-strings, water below the fall.” This thermodynamic framing sets up a central dichotomy: nature’s forces move only toward entropy, never toward the complex, energy-rich compounds that characterize life. The author insists that organic matter cannot arise from such a system without external intervention—a claim he will later link to the necessity of a creative intelligence.
Organic Matter as a Product of Art
Chapter VII introduces the book’s pivotal concept: organic matter is a “product of art,” meaning it requires a cause outside mechanical causality. Björklund draws a parallel to metal extraction: iron and copper are not found pure in nature but must be refined through artificial processes. Similarly, organisms resemble machines that nature cannot assemble spontaneously. The argument is structured as a logical deduction from the previous chapter’s conclusions, and the author repeatedly emphasizes that this reasoning, if sound, disproves materialism. The tone is methodical, almost legalistic, as he builds a case that the existence of life itself points to a non-mechanical origin.
The Role of the Cell in Resurrection
Though the excerpts do not reveal the full argument, the title indicates that cell theory provides the lens for discussing death and resurrection. Björklund likely extends his art analogy to the cellular level, treating cells as fundamental units that require a purposeful arrangement. The book’s structure suggests a movement from physical chemistry to biology to metaphysics, with each step narrowing the gap between scientific observation and theological hope. Readers should note that the author does not reject science but uses its findings—particularly the irreversibility of decay—to argue for a transcendent cause. The cell, as the basic unit of life, becomes the site where this argument is tested.
The Publisher’s Framing and the Book’s Context
The publishers’ preface situates Björklund alongside Gustav Fechner as a scientist who attempted a “sympathetic reconstruction of the idea of immortality on the basis of science.” It distances the work from the Society for Psychical Research, whose ghost stories and subjective reports are dismissed as unreliable. This framing is important: the book aims to be a rigorous, evidence-based alternative to spiritualism. Björklund’s Swedish origin and relative obscurity in English are noted, and the preface admits that his solution may not be correct—but insists his contribution to the philosophy of religion deserves attention. This editorial stance invites readers to engage critically with the argument rather than accept it uncritically.
Björklund’s work is best approached as a sustained logical exercise rather than a devotional text. Readers should track how each chapter’s conclusion becomes the premise for the next, and note where the author shifts from empirical observation to metaphysical inference. The cell-theory framework is used to ground claims about resurrection in biology, but the evidence provided is largely thermodynamic and analogical. Those interested in early 20th-century attempts to reconcile science and religion will find this a distinctive, if speculative, contribution.
I found myself drifting back to that strange Swedish book, the one where cells are argued to be art, not nature. It made me think of The displaying of supposed witchcraft — Story, Setting & Ideas. Both hold such earnest, careful efforts to explain what we fear and can't see—one through science, one through conviction. There’s a tenderness in that old certainty, even when it was wrong.
There are no reviews for this eBook.
How did this book work for you?
Your answers remain private and are stored only in this browser.