Modern Skepticism A Course of Lectures Delivered at the Request of the Christian Evidence Society — Text and Context

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Ellicott, C. J. (Charles John), 1819-1905 [Contributor], Harrowby, Dudley Ryder, Earl of, 1798-1882 [Author of introduction, etc.], Christian Evidence Society [Other] Project Gutenberg 2013 Not confirmed
Church of England; Skepticism; Skepticism -- Controversial literature Readers of public-domain and historical texts
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Words 128,908
Reading time 561 min
Text sections 13

This digital edition of Modern Skepticism A Course of Lectures Delivered at the Request of the Christian Evidence Society — Text and Context is described by source-level measurements including 128,908 words, 9 hr 21 min estimated reading time, and 13 detected text sections.

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Project Gutenberg metadata also associates the work with “Church of England,” connecting these edition facts with the source record’s subject description.

A collection of twelve lectures by Anglican clergy and scholars, each addressing a specific challenge to Christian belief from design in nature to historical criticism of Scripture, with a preface by the Earl of Harrowby and an explanatory paper by Bishop Ellicott.
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tematizer who allows no mystery, no darkness anywhere, must keep the article; in point of fact, most people enjoy having one. Alas! for the 19th century! It has such a feverish viewiness, such a fashion of incessantly turning its magic tube, that life seems little else than a dreamy phantasmagoria! To construct a steady reflecting instrument for yourself requires industry, time, and thought, three things which few people care to bestow upon their beliefs. Therefore the practice is to pick up kaleidoscopes ready-made at a cheap rate, and to feel as easy as stern realities will permit on the subject of their truthfulness. Romances are the kaleidoscopes of one class, cram-books of a second, newspapers of a third, self-love the optical law of the greatest number. We are met this morning to break up a grand kaleidoscope, and to look into its construction. I shall do my endeavour to prevent you all from replacing it by any instrument of a ready-made sort. The easiest plan for all lecturers is to display a series of transparent conclusions; but I shall prefer furnishing you with facts and arguments, letting you put them together, look at them, and verify their law of true vision for yourselves.

Let us see Comte's law first. It was, strictly speaking, a law of succession and resemblance. You will guess at once that were this all we could see in the phenomenal world, our insight would be very limited. And Comte's object was to limit us. We can never know, Positively speaking, final causes; those which make up the common notion of design, purpose, intention. Nor yet any efficient causes; nothing truly productive of an effect, as men usually say. All we can know is the middle of a chain of successive phenomena. The two ends are absolutely hidden from our eyes. It was in this sense that Comte denied causation--his language was vigorous; he denounced it as metaphysical, and when Comte nicknames anything metaphysical or theological, he means, as everybody knows, Anathema maranatha.

The difficulty here is palpable. A law of averages--a statistical law, as it is often called, does not profess to account for anything; it merely generalizes crude material, and gets it ready for scientific thought to work out the true law. But a law of succession has an imposing sound, and it does in the worst sense impose. The fallacy may be shown in an instant. Day and night succeed each other regularly. Does either _account_ for the other? The rotation of the earth is simultaneous with both--it accounts for both. Its effect is to expose the earth's two hemispheres alternately to the sun's rays. This rotation coincides again with other laws of our planetary system, and they account for it. It is on these laws, and not on such grounds as Hume, Comte's great Positive antecedent, alleged, that we look for sunset and sunrise. When they fail, the system of which our globe forms part will have collapsed.

Such then was the original kaleidoscope of Positivism. It was condemned for reasons which will have plainly appeared to you. Other eyes have swept the field of vision this world offers, and other instruments to aid our insight have been adopted.

You will not have failed already to remark the extreme vagueness of that word "law." There are very few English words more vague: it is applied to almost every sort of formula, force, principle, idea; besides being misused in ways almost innumerable. You must therefore, when busy with questions like the present, fix your attention upon the adjectives added to it, and the examples selected by way of illustration.

The volume opens with a preface by the Earl of Harrowby, chairman of the Christian Evidence Society, who explains that the lectures were gathered for the convenience of readers and commends them to serious consideration. A short account of the Society's designs and the plan of the lectures is provided in an explanatory paper by Bishop Ellicott, placed at the end but recommended for early attention. The contents list reveals a structured progression: from arguments from design in nature, through pantheism and positivism, to the nature of miraculous testimony, the gradual development of revelation, historical difficulties of Scripture, mythical theories, the evidential value of St. Paul's Epistles, Christ's teaching and influence, and the completeness of Christian evidences. Each lecture is delivered by a different eminent figure, lending the work a polyvocal character.

Structure as a Cumulative Case

The arrangement of the twelve lectures is not merely sequential but deliberately cumulative. The first lecture, by the Archbishop of York, begins with a broad philosophical claim—'All things are full of God'—and builds a case for design in nature. Subsequent lectures narrow the focus: from general systems like pantheism and positivism to specific Christian doctrines and historical texts. The final lecture, by Canon Cook, aims to demonstrate the completeness and adequacy of Christian evidences, suggesting a rhetorical arc from the general to the particular, from natural theology to revealed religion. The explanatory paper by Bishop Ellicott, though placed last, is meant to be read early, framing the entire collection. This structural choice implies that the lectures are best understood as parts of a unified apologetic strategy rather than isolated addresses.

Recurring Images of Light and Sight

Throughout the excerpts, visual metaphors recur, particularly those of light, sight, and evidence. The Archbishop of York invokes the Greek philosopher Thales, who said 'All things are full of God,' implying a world suffused with divine presence that can be perceived. In the lecture on historical difficulties, the critic is described as having 'intruded' something into the text, as if mis-seeing. The language of 'evidence' itself—a term central to the Society's name—carries connotations of visibility and proof. The repeated emphasis on what can be 'seen' or 'shown' in nature, history, and Scripture creates a consistent sensory motif. This imagery reinforces the lectures' aim: to make the case for Christianity visible and rationally compelling to a skeptical audience.

Movement Between Scenes of Debate

The lectures shift between different intellectual arenas: natural philosophy, ancient history, biblical criticism, and church doctrine. The excerpt on the Book of Esther, for instance, moves from a catalog of objections—historical, textual, and critical—to a point-by-point rebuttal. The lecturer engages with German skeptical critics, citing their concessions ('possible on account of the advancing corruption in Xerxes' time'). This movement mirrors the broader structure of the volume, which transitions from external philosophical challenges (pantheism, positivism) to internal scriptural difficulties. The reader is taken on a tour of contested ground, with each lecturer acting as a guide through a specific terrain of doubt. The effect is one of systematic traversal: no major skeptical argument is left unaddressed.

The Role of the Explanatory Paper

Bishop Ellicott's explanatory paper, though placed at the end, is described in the preface as deserving early attention. This unusual positioning suggests that the paper serves as a key to the collection's design. It likely explains why the lectures appear in a different order from their delivery, and how they collectively address the 'general designs of the Society.' The paper may also clarify the editorial principles behind the volume, such as the selection of lecturers and the intended audience. By directing readers to this paper first, the editors imply that the lectures are not self-contained but part of a larger argument that requires framing. This meta-textual element adds a layer of self-consciousness to the work, inviting readers to consider not just the content but the method of apologetics.

Readers approaching this volume should begin with Bishop Ellicott's explanatory paper, despite its placement at the end, to grasp the intended order and purpose of the lectures. The work is best read as a series of interconnected arguments rather than standalone addresses, with each lecture building on the previous one. Pay attention to how the lecturers move between different fields—natural science, history, textual criticism—and how they respond to specific skeptical objections. The recurring imagery of light and sight underscores the central aim: to make Christian evidence visible and rationally persuasive.

Holding this old volume, I remembered evenings in my grandfather’s study, the weight of such earnest Victorian arguments. It felt familiar, like the quiet reverence I once found in a certain other book, The Miraculous Conception Or, The Divinity of Jesus Christ Considered as the Foundation of the Christian Religion — A Reader’s Guide, which also spoke of faith as something thoughtfully held, not simply assumed.

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