The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 2 (of 4), Part 1 (of 2) — Text and Context

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Valmiki, Mitra, Viharilala [Translator] Project Gutenberg 2023 Not confirmed
Religious life -- Hinduism -- Early works to 1800; Hinduism -- Doctrines -- Early works to 1800 Readers of public-domain and historical texts
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Words 129,832
Reading time 565 min
Text sections 77

The catalog record for The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 2 (of 4), Part 1 (of 2) — Text and Context provides practical reading context through 129,832 words, 9 hr 25 min estimated reading time, and 77 detected text sections.

The text analysis averages about 23.8 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Religious life -- Hinduism -- Early works to 1800,” connecting these edition facts with the source record’s subject description.

This volume of the Yoga-Vasishtha translation presents the Utpatti Khanda and Sthiti Prakarana, where meditative visions of cosmic creation and dissolution unfold through the brothers' padmasana contemplation, revealing the subjective nature of reality.
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  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
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. Description of Sindhu’s Dominions 1

CHAPTER LII. State of Man after Death 4

CHAPTER LIII. Representations of Reminiscence 10

CHAPTER LIV. Reflections on Death 15

CHAPTER LV. The States of Life and Death 23

CHAPTER LVI. State of the Soul after Death 31

CHAPTER LVII. Phenomena of Dreaming 37

CHAPTER LVIII. Revival of Padma 43

CHAPTER LIX. Extinction of Padma’s Life 48

CHAPTER LX. On Duration and Time and Thoughts of the 50 Mind

CHAPTER LXI. On the Nature of the World 59

CHAPTER LXII. Interpretation of Destiny 64

CHAPTER LXIII. Immutability of the Divine Mind 69

CHAPTER LXIV. The Germinating Seed 71

CHAPTER LXV. Nature of the Living Soul 76

CHAPTER LXVI. Meditation of the Subjective and 78 Objective

CHAPTER LXVII. Lecture on Truth 81

CHAPTER LXVIII. Description of a Rákshasí (or female 94 fiend)

CHAPTER LXIX. Story of Visúchiká 97

CHAPTER LXX. Conduct of Visúchí, or the Adventures of 100 the Needle

CHAPTER LXXI. Remorse of Súchí 110

CHAPTER LXXII. Fervour of Súchí’s Devotion 115

CHAPTER LXXIII. Nárada’s Relation of Súchí’s Devotion 119

CHAPTER LXXIV. Consummation of Súchí’s Devotion 127

CHAPTER LXXV. Súchí’s regaining her former frame 131

CHAPTER LXXVI. Refraining from Unlawful Food 134

CHAPTER LXXVII. Deliberation of Karkatí 137

CHAPTER LXXVIII. Conference of the Rákshasí 141

CHAPTER LXXIX. Interrogatories of the Rákshasí 147

CHAPTER LXXX. Solution of the Questions 153

CHAPTER LXXXI. Congeries of Spiritual Doctrines 162

CHAPTER LXXXII. Friendship of the Rákshasí 176

CHAPTER LXXXIII. Worship of Kandará Alias Mangala 182

CHAPTER LXXXIV. Development of the germ of the mind 185

CHAPTER LXXXV. Interview of Brahmá and the Sun 194

CHAPTER LXXXVI. Story of Indu and his sons 200

CHAPTER LXXXVII. Analecta of the Celestial Spheres 207

CHAPTER LXXXVIII. Indifference of Brahmá 209

CHAPTER LXXXIX. Story of Indra and Ahalyá 212

CHAPTER LXXXX. Love of the Fictitious Indra and Ahalyá 218

CHAPTER LXXXXI. Incarnation of the Living Soul or Jíva 220

CHAPTER LXXXXII. On the Powers of Mind 228

CHAPTER LXXXXIII. A view of the Genesis of the mind and 233 Body

CHAPTER LXXXXIV. Brahma the Origin of All 237

CHAPTER LXXXXV. Identity of the Actor and his Action 241

CHAPTER LXXXXVI. Inquiry into the Nature of Mind 246

CHAPTER LXXXXVII. The Magnitude of the Sphere of the 258 Intellect

CHAPTER LXXXXVIII. History of the Human Heart 263

CHAPTER LXXXXIX. History of the Heart 268

CHAPTER C. Healing of the Heart 273

CHAPTER CI. Story of the Boy and Three Princes 279

CHAPTER CII. On the Indivisibility and Immortality of 286 the Soul

CHAPTER CIII. On the Nature of the Mind 292

CHAPTER CIV. Story of a Magic Scene 295

CHAPTER CV. The Breaking of the Magic spell 301

CHAPTER CVI. The Talisman of the King’s Marriage with 304 a Chandála Maid

CHAPTER CVII. Description of a Train of Dangers 312

CHAPTER CVIII. Description of a Drought and Dearth 318

CHAPTER CIX. Migration of the Chandálas 322

CHAPTER CX. Description of Mind 326

CHAPTER CXI. Healing of the Heart and Mind 335

CHAPTER CXII. The Restlessness of the Mind and its 341 Cure

CHAPTER CXIII. Description of Ignorance and Delusion 344 (Avidyá)

CHAPTER CXIV. Description of Errors 351

CHAPTER CXV. Causes of Happiness and Misery 360

CHAPTER CXVI. Birth and Incarnation of Adepts in Yoga 364

CHAPTER CXVII. Different States of Knowledge and 368 Ignorance

CHAPTER CXVIII. Directions to the Stages of Knowledge 373

CHAPTER CXIX. Illustration of the Gold-ring 377

CHAPTER CXX. Lamentation of the Chandála Woman 383

CHAPTER CXXI. Proof of the futility of Mind 387

CHAPTER CXXII. Ascertainment of the Self or Soul 396

DESCRIPTION OF SINDHU’S DOMINIONS.

Vasishtha said:—The loud cry that the king was killed in battle by the rival monarch, struck the people with awe, and filled the realm with dismay.

2. Carts loaded with utensils and household articles, were driving through the streets; and women with their loud wailings, were running away amidst the impassable paths of the city.

3. The weeping damsels that were flying for fear, were ravished on the way by their captors; and the inhabitants were in danger of being plundered of their properties by one another.

4. The joyous shouts of the soldiers in the enemy’s camp, resounded with the roarings of loose elephants and neighings of horses, trampling down the men to death on their way.

5. The doors of the royal treasury were broken open by the brave brigands, the valves flew off and the vaults re-echoed to the strokes. The warders were overpowered by numbers, and countless treasures were plundered and carried away.

6. Bandits ripped off the bellies of the royal dames in the palace, and the chandála free-booters hunted about the royal apartments.

7. The hungry rabble robbed the provisions from the royal stores; and the soldiers were snatching the jewels of the weeping children trodden down under their feet.

8. Young and beautiful maidens were dragged by their hair from the seraglio, and the rich gems that fell from the hands of the robbers, glistened all along the way.

The second volume of Vihari-Lala Mitra's translation of the Yoga-Vasishtha Maharamayana opens with the Utpatti Khanda (Book III) and continues into the Sthiti Prakarana, reaching the Upasama Khanda through Chapter LIII. The text presents a sustained philosophical dialogue framed by narrative episodes, such as the meditation of the sons of Indu, who sit in padmasana and envision themselves as Brahma, containing the entire universe within their minds. This passage exemplifies the work's central method: using vivid, cosmological imagery to illustrate the identity of the individual self with the absolute. The translator's notes, including references to the commentary by Ananda Bodhendra Saraswati, indicate a layered textual tradition.

Meditative Visions and Cosmic Scale

The excerpt describing the sons of Indu's meditation (Chapter LXXXVII) offers a striking example of the text's imaginative reach. The brothers, seated motionless 'like fixed rocks,' mentally project themselves as Brahma, the creator and sustainer. They declare, 'I see in me the spheres of the regents, of the world, and the circles of the Siddhas revolving about me.' The passage enumerates a vast hierarchy: the Vedas, the gods, the terraqueous orb with its oceans and continents, the infernal world with its demons, and the twelve suns. This is not merely a list but a structured vision of totality, where the meditator claims to observe 'the revolution of years and ages' and even a Kalpa passing away. The translator's gloss emphasizes that this 'subjective view of the objective' constitutes the essence of yoga meditation.

The Translator's Interventions and Textual Condition

Mitra's translation, first published in 1899, bears the marks of its era and its source material. The transcriber's notes for this Project Gutenberg edition record silent corrections of obvious misspellings and several emendations, such as 'the did' to 'did the' and 'can comesout' to 'can come out.' More significantly, the editors consulted two other reprints (Bharatiya Publishing House 1978 and Parimal Publications 1998) to supply missing or unclear text from the scanned LPP edition. The presence of angle brackets to indicate inserted words, and the acknowledgment that some Devanagari in footnotes is a 'best guess,' remind the reader that this digital version is a reconstruction. The translation itself uses a distinctive system of accents (á, í, ú) to mark long vowels, and the term 'Gloss.' refers to the classical Sanskrit commentary by Ananda Bodhendra Saraswati.

Recurring Patterns: Posture, Stillness, and the Inner Universe

Across the excerpts, a consistent pattern emerges: the meditative posture (padmasana) and physical stillness are prerequisites for an expansive inner vision. The brothers sit 'in their motionless postures like fixed rocks, and as images hewn out of stones.' This immobility contrasts with the dynamic, all-encompassing content of their meditation. They see 'some rising and falling, and others diving and floating, like the incessant waves of the sea'—a simile that underscores change within the changeless observer. The text repeatedly links the microcosm of the human mind to the macrocosm of the universe: the meditator contains 'the hollow of the infernal world' and 'the cavity of the sky.' This structural parallel between inner and outer reality is a key philosophical tenet, presented not as abstract doctrine but through concrete, sensory imagery.

Readers approaching this volume should be prepared for a text that moves between narrative, philosophical exposition, and visionary poetry. The translation's late-nineteenth-century style and the reconstructed nature of the digital edition warrant attention to the textual notes. The work rewards those who engage with its repetitive, incantatory quality, where the same cosmic themes are refracted through different episodes and similes. The meditation of the sons of Indu serves as a useful touchstone for understanding the text's method: stillness giving rise to a universe.

The rain blurred the window as I sat with the brothers’ padmasana visions, watching worlds dissolve into subjective light. The stillness felt almost ecclesiastical, a quiet pressing against certainty. Later, thumbing through Writings in Connection with the Donatist Controversy — Edition Insights, I found that same patient wrestling over what is real in a divided church. Two books, one afternoon, both asking how deeply we can trust what we believe.

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