The Three Impostors — Text and Context
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The catalog record for The Three Impostors — Text and Context provides practical reading context through 32,489 words, 2 hr 22 min estimated reading time, and 8 detected text sections.
The text analysis averages about 28.7 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Rationalism,” connecting these edition facts with the source record’s subject description.
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TRANSLATED (WITH NOTES AND ILLUSTRATIONS,) FROM THE FRENCH EDITION OF THE WORK, PUBLISHED AT AMSTERDAM, 1776.
RE-PUBLISHED BY G. VALE, "BEACON" OFFICE, 3 FRANKLIN-SQUARE, NEW-YORK: 1846.
NOTE BY THE AMERICAN PUBLISHER.
We publish this valuable work, for the reasons contained in the following Note, of which we approve:--
NOTE BY THE BRITISH PUBLISHER.
The following little book I present to the reader without any remarks on the different opinions relative to its antiquity; as the subject is amply discussed in the body of the work, and constitutes one of its most interesting and attractive features. The Edition from which the present is translated was brought me from Paris by a distinguished defender of Civil and Religious Liberty: and as my friend had an anxiety from a thorough conviction of its interest and value, to see it published in the English Language, I have from like feelings brought it before the public; and I am convinced that it is an excellent antidote to Superstition and Intolerance, and eminently calculated to promote the cause of Freedom, Justice, and Morality.
PREFACE BY THE TRANSLATOR.
The Translator of the following little treatise deems it necessary to say a few words as to the object of its publication. It is given to the world, neither with a view to advocate Scepticism, nor to spread infidelity, but simply to vindicate the right of private judgment. No human being is in a position to look into the heart, or to decide correctly as to the creed or conduct of his fellow mortals; and the attributes of the Deity are so far beyond the grasp of limited reason, that man must become a God himself before he can comprehend them. Such being the case, surely all harsh censure of each other's opinions and actions ought to be abandoned; and every one should so train himself as to be enabled to declare with the humane and manly philosopher
"Homo sum, nihil humania me alienum puto."
Dundee, September 1844.
CONTENTS OF THE PRELIMINARY DISSERTATION.
DISQUISITIONS on the book entitled "The Three Impostors."
ANSWER to the dissertation of M. de la Monnoye on the work entitled "The Three Impostors."
COPY of Part 2d, Vol. 1., Article ix. of "Literary Memoirs," published at the Hague by Henry du Sauzet, 1716.
DISQUISITIONS ON THE BOOK ENTITLED THE THREE IMPOSTORS.
It has long been a disputed point if there was at anytime a book printed and bearing the title of "The Three Impostors."
M. de la Monnoye, having been informed that a learned German [1] intended to publish a dissertation the object of which was to prove that this work had really been printed, wrote a letter, in refutation, to one of his friends; this letter was given by M. Bayle to M. Basnage de Bauval, who in February 1694, gave an extract from it in his "History of the works of celebrated and learned men." At a later period M. de la Monnoye entered more fully into the subject, in a letter dated at Paris 16th of June, 1712, and addressed to President Bouhier, in which letter, he says, will be found an abridged but complete account of this remarkable book.
He condemns at once the opinion of those who attribute the work to the Emperor Frederick. The false charge, he says, took its rise from a passage in the appendix to a discourse concerning Antichrist, and published by Grotius, wherein he speaks as follows [2]: "Far be it from me to attribute the book called 'The Three Impostors,' either to the Pope, or to the opponents of the Pope; long ago the enemies of the Emperor Frederick Barbarossa set abroad the report of such a book, as having been written by his command; but from that period nobody has seen it; for which reason I consider it apocryphal."
Colomiez quotes this, page 28 of his "Historical Miscellanies;" but he adds that there are some blunders--that it was not Frederick I. (Barbarossa,) on whom they intended to fix the authorship, but Frederick II. his grandson. This he says, is apparent from the letters of Pierre des Vignes, the secretary and chancellor of the second Frederick, and from Matthew Paris; inasmuch as they record, that this monarch was blamed for having said that the world had been led aside by "Three Impostors;" but by no means that he had written a book having such a title. The Emperor denied in the strongest terms, that he ever made use of any expression to that effect. He detested the blasphemy with which they charged him, and declared that it was an atrocious calumny; more shame to Lipsius and other writers who have condemned him without sufficiently looking into the evidences.
The present volume opens not with a philosophical argument but with a bibliographical puzzle: a preliminary dissertation that debates whether a book called The Three Impostors was ever actually printed. The translator’s preface frames the work as a vindication of private judgment, while the British publisher calls it “an excellent antidote to Superstition and Intolerance.” This layered framing—publisher’s note, translator’s preface, then a series of disquisitions—immediately signals that the text is as much about its own contested history as about its stated subject. The reader is asked to navigate multiple voices: the German scholar who believed the book existed, the French critic M. de la Monnoye who refuted that claim, and the anonymous translator who presents the whole as a contribution to religious liberty.
A Disputed Book and Its Multiple Authors
The catalog lists five dubious authors—Jean Maximilien Lucas, Peter Friedrich Arpe, Jean Aymon, Bernard de La Monnoye, and Jean Rousset de Missy—along with a sixth name, Jan Vroese, in the metadata. This uncertainty is not incidental; it is the subject of the opening disquisitions. The text reproduces a letter by M. de la Monnoye that argues the book never existed, and an answer to that dissertation. The reader encounters a work that is partly a scholarly debate about its own provenance. The shifting attributions reflect the clandestine circulation of radical ideas in early modern Europe, where authorship was often concealed or misattributed. The preliminary matter thus functions as both introduction and evidence, making the book’s contested history part of its argument.
The Rhetoric of Systematic Unmasking
Once past the preliminaries, the treatise adopts a methodical, almost clinical tone. Section §6 describes how “ambitious men, intoxicated with the pleasure of being elevated above their fellow mortals, attempted to add to their reputation by feigning that they were the friends of those invisible Beings.” The prose proceeds by accumulation: a list of deified natural phenomena, animals, and abstractions—Time, Day, Night, Victory, Strife—each item adding weight to the claim that religion is a human invention. The repetition of “they” and “every” creates a rhythm of exposure. The author does not argue so much as catalogue, implying that the sheer multiplicity of invented deities is itself proof of imposture. This enumerative style, reminiscent of Enlightenment catalogues of superstition, drives the argument forward without relying on narrative or anecdote.
Pace and the Accumulation of Evidence
The treatise’s pace is deliberate and repetitive, building its case through parallel structures. Section §7 lists gods of “the Heavens, the Earth, the Sea, Fire, the Winds and Planets,” then adds men, women, birds, reptiles, and plants. The effect is cumulative: each sentence adds another category, another example, until the reader is overwhelmed by the sheer number of invented deities. The pace quickens in §8, where the author moves from listing to explaining how priests “pretended to be divinely inspired Prophets” and established oracles at Delos and Delphi. The shift from enumeration to causal explanation marks a change in rhetorical gear, but the underlying method remains the same: expose the mechanism behind the belief. The final sentence of §8—“ignorance will receive any impression, when men know how to take advantage of it”—caps the section with a general principle, slowing the pace for reflection before the next wave of examples.
Readers approaching The Three Impostors should attend to its layered structure: the preliminary disquisitions are not mere preface but integral to the work’s meaning. The text rewards attention to its rhetorical patterns—the lists, the repeated syntactic frames, the shifts from catalogue to explanation. Because the excerpts are incomplete, the full argument of the treatise remains unclear, but its method is evident: it proceeds not by narrative or dialogue but by systematic accumulation of examples, each one chipping away at the authority of established religion. The book is best read as a performance of Enlightenment critique, where the form of the argument is as telling as its content.
Flipping through The Three Impostors again, I kept thinking of its careful dismantling of certainty, the way it pulls a legend apart thread by thread. And then, unexpectedly, I wanted that other volume’s quiet, credulous warmth beside it—The Spirit Land — Reading Companion—the two of them like old friends arguing gently across a table, one doubting, one believing, both whispering about things unseen.
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